I’ve made my plant form drawings into a small concertina book - black hellebore ink with backdrawn paper monoprints on somerset paper. I like the combination of natural ink and monoprints and would definitely like to explore this combination further.
An unusual pop of colour in my garden residency... I’ve been carving a daily rubber stamp through August, and I’ve been masking areas off with post-it notes. I was about to clear the paper masks into the bin when I decided to stick them on a bright piece of paper instead. Instant collage gratification.
A surprising set of dye results from Rowan. The bright berries (photographed a couple of weeks ago) only gave out any bold colour onto silk and wool (see browns on the right hand photo) but the leaves - which I only boiled up as an afterthought as I only had a few - gave a wide range of ochres and browns across all the materials. Shows it’s worth splitting up plant material to get a wider range of colour - a useful lesson!